Showing posts with label Rare Exports. Show all posts
Showing posts with label Rare Exports. Show all posts

Dec 31, 2010

2010: A Summary of a Year


2010 is almost over. Can you believe it, because I can't! The year has been pretty good, I've seen many awesome films (and quite a bunch of less awesome films as well, but that's unavoidable, I guess). I hugely regret that I didn't make a list of all the films I watched during 2010 (it did cross my mind, damn it), because I'm pretty sure I've broken a personal record. 2010 was also the year when I started blogging, so I guess we can say my year hasn't been a total waste!

To wrap the year up, I look back to the various phases I went through this year. (A phase: A period of time during which I am hugely enthusiastic about something or someone, and can't fully concentrate on anything else.) There's been unusually many of them! Also, I'll very reluctantly make an unofficial top five of my favourite movies of 2010. Don't take it too seriously. There are too many potentially awesome films I haven't yet seen! It's mostly there just for show.
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My SIX PHASES of 2010

The Robert Downey Jr. phase (January - March)

Not often I go see a film in the cinema twice. Even less often three times. But I did see Sherlock Holmes three times, and I can only blame the unbeatable charm and overflowing hotness of RDJ. During the phase I also watched a lot of lousy films from his early career (and one damn good one that led to another phase later on) and the fourth season of Ally McBeal. That's when the phase probably reached its peak and I was more fanfirl-y that I've been in years and it was highly disturbing and I'm glad it's over now. (And I'm only half-kidding.) I'm still very much RDJ's girl, and I regret I managed to miss Due Date in cinemas.
The River Phoenix phase (March - April)

The short-ish but passionate River Phoenix phase was triggered by the end credits of Stand by Me, as my even-slower-than-usual brain realised that the charming young fellow in the film was actually River Phoenix. Many of his film are almost impossible to come by, but judging by every film I have got my hands on, River was spectacularly talented and an amazing person and all the praise he's ever got is most definitely deserved. Also, when it comes to talking about River Phoenix, one can't get away without mentioning that he has one of the most photogenic faces EVER.
The Lost phase (~April - June)

My Lost phase has been going strong since 2006, but this year it culminated around the series finale in May. All year long I had been regularly freaking out once a week, as the final season teased and shocked and thrilled me to pieces. Lost is the most popular label on my blog, which shows that the Lost phase still isn't over. Just this week I completed a project I had been fantasizing about for years, as my Complete Lost Marathon finally ended. Lost truly has been one of the highlights of the year, but it was also a significant highlight of the whole decade. Dude, it's been awesome.
The Charlie Chaplin phase (June - July)

This is one of the few times ever I've become this excited about something that could easily be considered 'intellectual' (not that Lost, for instance, isn't, ahem). Thanks to RDJ (yep, I still think I owe him this), I read Chaplin's autobiography, loved it, and watched all of his films I could find. Oh and loved them, too, to say the least. I found it quite amazing that I so thoroughly enjoyed something that had been done before the 90s, or even before the invention of talking pictures! So uncharacteristic of me. Chaplin's films are wonderful, oh so wonderful and I'll be eternally grateful to RDJ. Haha.
The Disney phase (August - September)

Before and especially after our spectacular trip to Paris - which included that fateful visit to Disneyland - I couldn't make myself watch anything that wasn't animated and or didn't have a happy ending and a few cute animal friends. I watched more Disney films in a month than I did during the whole year when I was five. And oh did I have a blast! By the time I got annoyed at The Little Mermaid and actually began to look the films critically (first time for everyhing), I figured the time had come to finally shake the phase and move on. Luckily, an old favourite was coming back from a summer hiatus.
The Glee phase (October - December, and beyond)

 Glee, oh Glee! Just when I thought Lost had left a hole in me that nothing could ever fill, along came season two of Glee, and reminded me that there is one show out there that has that potential. Not that the hole is completely filled (won't ever be), but it doesn't ache anymore. Glee has been quite a dominant factor in my life recently: I created a blog dedicated to it, I'm listening to the songs on repeat, I ordered a ticket to their live concert and I want to marry Chris Colfer (oh, if I were a boy!). Glee has quite a steady position in my life, and this phase will continue to live on... Side by side with whatever I next get crazy about.

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My (unofficial) TOP FIVE of 2010

Rare Exports

Okay, so. Rare Exports is here, because 1) it was a good film and 2) because it's not every year Finns make a film that one might even consider when thinking about the best films of the year. I might have liked The Deathly Hallows a bit more, but hey, the patriot in me wanted to give this film some more credit. (And I make sure DH pt. 2 will be on my top five of 2011. Promise.) And it's not only that it is a rare export when it comes to domestic cinema. Rare Exports is an imaginative and bold piece of work, it creeped me out, it made me laugh and gave me chills and, quite unexpectedly, a touch of Christmas spirit as well.
Kick-Ass

Kick-Ass kicked off my summer of various action adventures, such as Robin Hood, Iron Man 2 and Prince of Persia, and ended up kicking the crap out of all the rest. It is an entertainment bomb. It introduced two bright stars of tomorrow, Aaron Johnson and Chloe Moretz, and also features the brilliant Christopher Mintz-Plasse. One of my favourite moments (in addition to everything that includes Hit-Girl) still is when the main character is worried that if he dies, he won't find out how Lost ends. What a relief I don't have to worry about anymore! Because, on some of my less proud moments, I did. Anyway, Kick-Ass kicks ass.
Inception

Er, what? What is Inception doing this far from number one? Wasn't it pretty much the most mind-blowing thing I'd seen in ages, a complicated and intriguing masterpiece by the genious also known as Chris Nolan, and simply just the grandest cinema experience ever? Well, yes. As you can see, I haven't numbered the top five, even though they are supposingly in the order of superiority. It just felt wrong. When my friend asked me what my five favourite movies of 2010 were, he also asked me to mark put a star after each film that was so damn incredible you forgot it was a film you were watching. (continues below)
The Social Network

(cont.) (He asked me for the list in Facebook. By the way.) Inception was the only was that I starred. So why oh why are The Social Network and another film topping Inception? Well, quite frankly, I don't know. I'm just listening to my gut. I can't say which one I liked more, because they are so very different. Both left me in awe, but in different kinds of awe and for different reasons. I actually at one point promoted Inception to number two, but finally dropped it back down again, because this was the original order on the list in Facebook. And as we know, Facebook is the bible of today's world. And yes, The Social Network is freaking genious.

Toy Story 3

So here we are, then. 2010 is just about in the bag and my most favourite film ended up being... not a sci-fi epic nor an origin story of a web page... but a third instalment of an animated film series. Um... okay? I guess what happened here is that number three and number two were too busy wrestling with each other that they forgot one little Toy Story 3. Whoever saw that coming? ... I did, actually. (Just remembered that I did!) Here's a direct quote (with spelling errors and all, sigh... 'askes'... I should probably fix that) from my Inception post from July:

" So - if someone askes me in the end of this year what was the BEST film of 2010, I will probably say Inception. If they ask what was MY FAVOURITE film, I will say something else. Something silly like Toy Story 3 or Kick-Ass or Harry Potter. "

And yes, I don't think this is such a scandalous or unexpected choice after all. I mean, whoever has seen the film knows it's brilliant in so many wonderful ways. I'm definitely campaigning for Toy Story 3 to win the best picture Oscar, and not only because I like underdogs and tend to fly the flag of those who REALLY don't stand much chance of winning, but also because I think it has a tremendous amount of potential. I mean, don't you want an animated picture to win the Oscar some day? So why not now? (Yeah, yeah, okay. In my dreams. Anyway.)

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Okay. So. A wrap-up of a wrap-up... 2010. What a year! And I have a sneaky feeling that 2011 might be even better! There sure are a big bunch of films worth expecting on the way. 2010 took us beyond infinity, but who knows, we might go even further next year.

Happy two thousand and eleven, everyone! Enjoy the fireworks tonight!

Dec 19, 2010

Rare Exports (2010) - SCORE!


directed by Jalmari Helander / starring Jorma Tommila, Onni Tommila, Tommi Korpela, Peeter Jakobi

Sometimes some stupid external factors nearly ruin your cinema experience... On Saturday last week I left home with my brother at 6 PM for the 6:30 showing of Rare Exports. That was a bit later that I usually leave for cinema, but I had a 'clever' plan for parking, plus I didn't think people in my town would go see a film in a Saturday night (how did I come to this ingenious conclusion, I don't really know), so I was in no rush. I parked the car in the block next to the one where the cinema is, feeling real proud for finding a peaceful place to park, whereas other people would be pulling their hair out trying to find a free spot for their cars closer to the cinema (they're now building an apartment building where there used to be a parking lot for the cinema, thanks guys...).

It was really cold, but by foot the cinema was only a few hundred metres away... Only now the constuction site had blocked the way I was planning to use. So we went round it. And my clever parking plan didn't seem so clever anymore. Even less when we saw all the free parking space right next to the cinema. It was about 6:20 when we finally got there and bought the tickets and entered the auditorium, which was full of people to my surprise (where did they park, seriously?). And they were already showing the trailers! I swear, every time I arrive to a cinema too early (which is pretty much every time exluding that day) I'm hoping they'd start showing them earlier, but they never do! Today they did, and I was pissed off because I didn't know what I'd missed, plus I'm always annoyed when people arrive after lights have gone out, and now I was one of them. I tried to ignore the fact that there was a top of a head between my eyes and the screen and the trailers I saw were annoying and seemed so stupid that I almost felt like storming out as a protest for the lousiness of contemporary cinema.

But luckily the film did what films often do and I forgot I was pissed off. And okay, contemporary cinema isn't that lousy. (Though that Burlesque movie can be nothing but that. Even if it has Stanley Tucci in it.)


 Why won't I gradually approach the topic after the brief and informative introduction... Though I don't really know what to write about the movie! It's now been over a week since I saw it, and whatever clever thoughts (haha, right) I had about it are now pretty much gone. I do remember that I was struck by an insane craving for gingerbread, and that I spend a good while wondering why people in Finnish movies hang outside in the middle of the winter with no scarf or hat and with their sleeves rolled up. Aren't they pretty damn cold? Speaking of cold, I felt sorry for one or two of those naked old men prancing around in the wintery forrest. I hope they were paid well, the poor things.

 Right, I'm still quite skillfully avoiding the topic... Well, I've read many good reviews of the film, and I don't really have much to add. I guess I could at least say that I liked Rare Exports, because that hasn't really come out clearly yet. I'm quite proud that a group of Finns managed to make a film so original and interesting, with a certain appeal for international audiences, but still unarguably Finnish and not trying to imitate Hollywood productions. I think we just scored! Now it's only about 4519-1 to Sweden. Haha. Go Suomi!

P.S. Just watched the short films, I hadn't seen them before. Pretty awesome, I must say! Not something to lift up your Christmas spirits, particularly, but anyway. I feel like looking deeper to the myth of Santa Claus, I wonder if there are any good books about that... One more thing to add to my Christmas break to do-list (as if it wasn't crowded enough before).


"Rare Exports... from the land of the original Santa Claus."

(YES! I hope everyone learns now that Santa comes from Finland, not from the damn North Pole.)